Research Associate on:

(2024-2028) Postdigital Musicking: Studien zum ‘multimodal’ shift in der Praxis der zeitgenössischen Kunstmusik Westeuropas (Postdigital Musicking: Studies on the 'multimodal' shift in the practice of contemporary art music in Western Europe) Hochschule der Künste Bern Institut Interpretation, a research project funded by the Swiss National Science Foundation https://data.snf.ch/grants/grant/10000554

(2020-2024) Opera mediatrix: Avanciertes Musiktheater und kollektive Identitätsbildung in der Schweiz seit 1945 (Opera mediatrix: Advanced music theater and collective identity formation in Switzerland since 1945) Hochschule der Künste Bern Institut Interpretation, a research project funded by the Swiss National Science Foundation https://www.hkb-interpretation.ch/projekte/opera-mediatrix

Editor:

(2024) Musicking Collective. Codierungen kollektiver Identität in der zeitgenössischen Musikpraxis der Schweiz und ihrer Nachbarländer (Musicking Collective. Coding collective identity in contemporary music practice in Switzerland and its neighboring countries), edited by Leo Dick, Noémie Favennec, and Katelyn Rose King. Bern: Edition Argus.

(2024/forthcoming) openwork Issue 2: “pre- / post-”, edited by William Dougherty, Iain Findlay-Walsh, Jim Igor Kallenberg, Ayşegül Kuntman, Katelyn Rose King and Sepehr Pirasteh. Columbia University (online).

Articles:

“A Music Theater for the Destruction of (Man)kind: Ulrich Rasche’s 2022 Staging of Agamemnon at the Ancient Greek Theater of Epidaurus,” (2024). In Music and Transcendence in a Posthuman Age, edited by TBD. Montréal, CA: (forthcoming). 

“Collectives Curating Myth. Festival Neue Musik Rümlingen and its Curatorial Legacy,” (2024). In Musicking Collective. Codierungen kollektiver Identität in der zeitgenössischen Musikpraxis der Schweiz und ihrer Nachbarländer, edited by Leo Dick, Noémie Favennec, and Katelyn Rose King. Bern: Edition Argus. 167-185. 

“Finding a Post-Human Communitas in Traditional Structures: Ulrich Rasche’s Trilogy at Deutsches Theater Berlin,” (2024). In Musicking Collective. Codierungen kollektiver Identität in der zeitgenössischen Musikpraxis der Schweiz und ihrer Nachbarländer, edited by Leo Dick, Noémie Favennec, and Katelyn Rose King. Bern: Edition Argus. 283-305. 

“Home (Münstergasse 37). An Aesthetic Analysis Based on Collective Experience in Site-Specific Contemporary Music Theater,” (2024). In Musicking Collective. Codierungen kollektiver Identität in der zeitgenössischen Musikpraxis der Schweiz und ihrer Nachbarländer, edited by Leo Dick, Noémie Favennec, and Katelyn Rose King. Bern: Edition Argus. 340-369.

“The Choir as a Pivotal Element in the Synthesis of Language and Sound: Ulrich Rasche’s Musical Theater,” (2024). In Schweizer Chorleben seit 1800: Musik, Gesellschaft, Politik und nationale Identität im Wechselspiel, edited by C. Hauck and C. Urchueguía. Bern: Bern Open Publishing (forthcoming).